Returning to the piece after a day’s break, the first page of Recercar con obligo by Girolamo Frescobaldi suddenly felt much more natural to play. With limited 30-minute practice sessions, progress comes step by step—rough sight-reading first, then experimenting with fingerings to support clearer voices and smoother phrasing. Sometimes a slightly stretched hand position reduces unnecessary finger swaps, and each small adjustment brings the music closer to clarity and ease.

In this stage of the journey, Tiger Han dives deeper into Recercar con obligo by Frescobaldi, refining fingerings to support articulation and correct note values. Careful experimentation and patience reveal the contrapuntal voices, turning the notes into expressive, singing lines.

What does “Etude” really mean? In this lecture recital, Tiger explore how Chopin transformed simple studies into powerful concert pieces, and why Op. 25 No. 10 once shocked critics as “pandemonium” but now thrills modern audiences.

Preparing early music is a journey of discovery. In this practice journal, Tiger explores Recercar con obligo by Frescobaldi on a small continuo organ for the Bach Birthday recital. What looks simple on the page quickly reveals its challenges. Step by step, phrase by phrase, the music begins to speak, and every decision becomes part of bringing this 17th-century masterpiece to life.

A short reflection from Tiger Han’s lecture recital series on Chopin’s rubato. Exploring how flexibility in phrasing coexists with structural stability, with examples from Chopin’s mazurkas and the mazurka section of Polonaise Op.44.