top of page


Hymn playing needs a very steady pulse
What makes great hymn playing? Beyond beautiful registration, this reflection explores why a steady pulse is the organist's most important responsibility, creating confidence, unity, and leadership for the congregation.
Jul 16


Practice Journal – When Chamber Music Reveals What Practice Can't
A rehearsal of Rachmaninoff's Cello Sonata revealed a wrong note I had never noticed in weeks of solo practice. Chamber music reminded me that careful listening is often the best way to discover hidden mistakes.
Jul 10


Less Is More: Why Limitation Makes You More Creative
Can creativity come from limitation? Inspired by an organ improvisation workshop, this journal explores how focusing on one small idea can unlock deeper musical expression in improvisation, Bach, and daily practice.
Jul 8


The Beauty of the Counterpoint
Learning Bach has taught me that musical independence is not about separation. In the Trio Sonata, BWV 529, and Toccata, BWV 911, distinct voices gradually become one flowing conversation, revealing how counterpoint creates unity through movement, dialogue, and purpose.
Jul 4


A Milestone: Performing Bach's Trio Sonata
Performing Bach's Trio Sonata in C major, BWV 529 marked a significant milestone in my organ journey. This reflection explores why the Trio Sonatas are among Bach's most demanding works, and how studying three independent voices transformed the way I listen, think, and perform.
Jul 2
bottom of page