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Why Op. 1? Beethoven Chooses His First Statement
A conversation about modern product launches made me wonder: was Beethoven’s choice of Op. 1 also a deliberate way to stand out and establish his name?
Aug 16


Performance Journal - Learning to Adapt Chamber Music on Stage
Live performances rarely unfold exactly as rehearsed. At the Ryde Eisteddfod Piano Partnership event, an unfamiliar piano presented unexpected challenges, but careful listening and teamwork made all the difference. This journal reflects on adapting to changing performance conditions and the importance of trust, communication, and preparation in chamber music.
Jul 31


Practice Journal – When Chamber Music Reveals What Practice Can't
A rehearsal of Rachmaninoff's Cello Sonata revealed a wrong note I had never noticed in weeks of solo practice. Chamber music reminded me that careful listening is often the best way to discover hidden mistakes.
Jul 10


Performance Journal – Learning to Listen Differently
Performing Mendelssohn's String Quartet No. 2 reminded me that chamber music requires a different kind of listening. Reflecting on the recording afterwards revealed how collaboration, timing, and communication are just as important as individual playing.
Jun 19
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