A reflection on adapting to different pianos and acoustics, and how performing Chopin in a live hall means learning to “play the space,” not just the instrument.

After performing the waltz at Wednesday’s lunchtime concert, I listened back to the recording and reflected on several musical details to refine, from establishing a clearer opening pulse to shaping resonance in a dry acoustic. With more performances ahead, this reflection marks another step in letting the piece mature through live experience.

Tiger Han introduces Chopin’s life, musical style, and how waltzes like those in Chopin’s repertoire blend dance‑like charm with deep emotional nuance.